The Language of Learning in Papua New Guinea 🇵🇬

This special project update was first published in Issue #163 of the Dialogic Learning Weekly Newsletter.

Welcome along to another weekly newsletter. This week a full update about a project I just completed in Papua New Guinea.

On Wednesday I landed back on Australian soil after spending four days in Papua New Guinea working with 50 teachers from 12 provinces.

Chris Harte invited me to co-design and facilitate a 2-day workshop on learner-centred pedagogies. It was lovely to work alongside him again.

The workshop was part of PNGAusPartnership Secondary Schools. A new initiative partnering 12 PNG and 12 Australian high schools to strengthen education, leadership and people-to-people links.

Here are some of the insights I take from an amazing trip.

Sharpening Our Tools

Our 2-day course focused on learner-centred pedagogies. We spent time together exploring a range of teaching and learning strategies.

Building the toolset was a deliberate aspect of our time. One of the teachers explained that she had used some of the ideas before, but our work had helped to sharpen our tools. 🛠

Another explained there was a lack of language to accurately describe some of the strategies. It made me reflect on the importance of a shared language and names for these strategies, and how this mediates collaboration.

Papua New Guinea has 832 living languages (languages, not dialects), making it the most linguistically diverse place on Earth. With that in mind you can understand that sharing practice, ideas and strategies is challenging.

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Exploring some new project ideas.

Commitment to the Teaching Craft

Within hours I began to reflect on the teacher’s purposeful attitude. They were there to improve their craft. 🖐

There was a clarity about what was valued in the session. The strategies and techniques that shift the emphasis away from too much teacher talk. Our participants were soaking everything up.

Even the methods Chris and I used to co-facilitate were noticed and explored. We modelled, then developed the skillset through collaboration and dialogue.

One of the teachers explained that in many of the rural communities teaching students was significantly challenging, but “thankfully and hopefully it might not be anymore”, due to the skills she had learned.

When we have choices in our pedagogical toolset and a broad skill base to enact them, we might feel a little less worried about the challenge.

Ready to Learn

There was no question about the mindset of the teachers in the room. They were ready to learn and open to improve their teaching. 🧠👐

Although they may have been teaching in a teacher-directed and centred way, they were not obstinate about this approach. It was dominant amongst the secondary teachers we worked with, but they were ready to improve and change.

For many of the teachers, this was a new approach to professional learning. We modelled pedagogies and offered an abundance of strategies. Some participants felt it revealed what sort of teacher they were.

Here is some feedback from one teacher.

I used to think that I should dominate the lesson on how students should learn. But, now I think that I should be more flexible and design lessons in a way that provoke more curiosity, discover their capabilities and what they can contribute in the real world.

It was exciting and refreshing to help teachers who were so humble and open in their efforts to get better.

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Smiling after the final presentations

Perhaps the most important insight for me was that despite 832 living languages and all of the challenges these teachers experience, many of which I am only beginning to understand – we gathered together as one group and connected around the language of learning. A universal human truth.

Thanks for taking the time to read the update this week. See you next time.

~ Tom Barrett

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Time for Creativity in Schools

Shaking off old timetabling structures will to be one of the most significant challenges our schools face in becoming more creative organisations.

On the one hand, schools are developing incredible curriculum opportunities and learning spaces for students to think and work creatively. Also, on the other hand timetabling of a student’s day remains very similar to what it was like 10, 20, even 30 years ago. I am sure you remember the tone of your school bell telling you to stop thinking and move on to your next lesson.

Many of the working norms of timetabling have not changed in line with new thinking about learning and creativity. Constructs such as time have merely lingered as part of the school experience.

The basic grammar of schooling, like the shape of classrooms, has remained remarkably stable over the decades. Little has changed in the ways that schools divide time and space, classify students and allocate them to classrooms, splinter knowledge into ‘subjects’ and award grades and ‘credits’ as evidence of learning. (Hoffstetter 2013)

“Changes in Mass Schooling:‘school Form’and ‘grammar of Schooling’as Reagents.” European Educational Research Journal 12.2 (2013): 166-175.

Hofstetter, Rita, and Bernard Schneuwly.

It would seem that some of those lingering structures might be getting in the way.

I am not proposing students spend their time with open agendas and no structure, lolling around being “creative”. We can strike a balance in school timetables between the standard lesson block structure and uninterrupted time to become more deeply immersed in creative learning.

Schools understand the need for their students to be creative, but that might mean only on a Thursday afternoon in a 50 minute period. This flies in the face of what we know about creativity.

In the recent Netflix original documentary, The Defiant Ones, Dr Dre the rap artist, producer and entrepreneur points out:

You never know when you’re going to be inspired and what’s going to inspire you. You can’t put a time limit on creativity.

Dr Dre

Unfortunately, I don’t have a beach-side recording studio to retreat to, but I can relate to how I get immersed in creative work. I am sure you will also have experienced when ideas come to you at different times. How might we adjust the learning environment to reduce the barriers to this type of immersive creative work?


The blocks to being creative are deeply connected to the time we have available to us. According to James Adams in his acclaimed book Conceptual Blockbusting, we face a range of emotional blocks to the creative process.

These behaviours and habits stultify our creative endeavours, and they are accurate in education as well as business.

  • A fear to make mistakes, to fail, to risk.
  • Preference for judging ideas rather than generating them.
  • No tolerance for ambiguity or chaos.
  • A lack of challenge – not engaging enough.
  • Excessive zeal – too much speed, pace and haste.
  • An inability to relax and to incubate ideas.

As school leaders, we have to overcome these blocks to nurture conditions for children to be actively creative little souls and provide an environment for innovative learning and teaching design.

What might these conditions include? What principles can we use to guide us? I recently re-discovered this lovely essay on creativity by Issac Asimov, in which he offers some thoughts on creating the conditions for others to generate ideas:

  • Daring cross-connection
  • Free of responsibility
  • Thoroughly relaxed
  • Deep knowledge
  • Discussing something of interest
  • Being by nature unconventional

Organising a timetable that functions efficiently and also embraces Asimov’s conditions, providing the appropriate time and pace for our students to be genuinely creative is a complicated issue. It will be one of the most significant hurdles for our schools to overcome and is a vital component of contemporary learning design. However, changing the way we organise time might be the key to unlocking the ideal conditions for creativity in schools.

Khan Academy Is Not The Progressive Model You Are Looking For

There has been a great deal written about Khan Academy just recently and the concept of personalised instruction and how this is somehow revolutionary or some sort of game changer. But why is it engaging at all? Where does this type of instruction lead us?

In my opinion the instructional maths videos posted on the Khan Academy are “resources” and the structure surrounding it suggests some sort of recipe for how to best use it. We might call this the “pedagogy” as this term refers to strategies or styles of instruction – and the full-fat version of Khan Academy use has it’s own style, heavily tilted towards personalised instruction and feedback.

Looking at the videos as stand alone resources or items that could be used to support teaching and learning in the classroom – how do you rate them? In my opinion they are not particularly engaging – just a close up version of what you see on a board. In my teaching of maths at primary level I wouldn’t use them directly to support my teaching – I might at a push use them as additional materials for children to access – but I may as well do it myself. So if the videos don’t have anything engaging in them, it must be somewhere else, right?

The Khan Academy is a dressed up YouTube channel and purportedly the statistical tracking and indication of “progress” is what is driving any sense of engagement. So are students engaged in the maths or the pointification? Well if the instructional clips aren’t edge of the seat stuff it must be the notional suggestion of a game that drives clicks and engagement.

My son is just learning to read and he is also learning some spellings, he is 5 years old. He gets about 6 spellings to learn at a time – I have always found spelling strategies and policies that are “learn this word” to be utterly pointless and frustrating. This is similar to learning basic maths too – if George sounds out a word whilst he is reading or trying to write and is using that word in context, he is making a much deeper connection with that concept than if he attempts to learn it on it’s own.

Another off shoot of this list / drill approach is that parents cling on to the score, the outcome, the stats (that are everywhere in the Khan Academy) and as a result begin to build this mentality about what achievement is in school. It is a grade – a score out of 10. No context. We have a cultural fascination with grades and I don’t think Khan Academy does anything but strengthen this fervent point of view.

Seth Godin suggests that it is long overdue to actually create something with these tools – “Knowing about a tool is one thing. Having the guts to use it in a way that brings art to the world is another. Perhaps we need to spend less time learning new tools and more time using them.”

During the last 7 months I have been exploring design thinking as a style of instruction and as a structure to plan curricula that is meaningful and relevant to children. We have had the opportunity to work with a wide range of schools and teachers at all age levels in rethinking their approach to the curriculum. As Ewan puts it:

“it’s not about instruction-giving, the very basis of traditional teaching or “instruction”. It’s about providing structures within which people can operate, structures that use different constraints, not fewer constraints, to achieve more choice and therefore breadth of learning, collaboration and depth of learning.”

This approach has a huge emphasis on the role of the student in their curriculum, they play a vital role in what gets planned and how this plays out in their experience of school. Dan Meyer, a former maths teacher, touches on this approach to curriculum content in his TEDxNYED talk.

What Salman Khan is missing is the connection with the real life around us, that which Dan explores, the context that we need to fully engage in difficult conceptual knowledge. A child using Khan Academy will be able to get a personalised set of exercises, tailored just for them, but not the meaningful choice driven application of those ideas.

Dan Meyer explains that providing students with a real life example of a mathematical challenge levels the playing field for all students as it is more about intuitive problem discovery than spoon feeding text book style. Gever Tulley, the creator of the Tinkering School, explains this succinctly by suggesting that:

“The opportunities for engaged learning are inversely proportional to the knowability of the outcome.”

When we know the outcome of our work, if we have too rigid an outcome in our mind for the topic we are working on, our students are likely to be less engaged. (From the video above you can see Dan restructuring a problem with this in mind.)

To me this refers to the “guess the answer in the teacher’s head” syndrome, which when expanded can (sadly) apply to the whole curriculum topic for weeks an weeks of school. We are all making a musical instrument as that is what we have always done.

I don’t see how Khan Academy can have a place in a creative curriculum model, at least not the model of instruction used, the resources themselves may have some value. But it all seems to be propping up a model that should be vanishing from our schools, not resurfacing.

Resources such as these will just make teachers think that they are taking innovative approaches to their teaching and learning. It will stall the changes that are needed in many schools across the world to make maths and other curriculum subjects more meaningful and engaging – we need more “problem finders“, critical thinkers and indeed children developing the capacity to become “patient problem solvers”. We don’t need games and points to bring rote, de-contextualised, meaningless styles of learning back from the abyss where they should rest – we should be kicking them back over the edge!

Dave Gibbs, a teacher and consultant from the UK summed this up really well: “To me it (Khan Academy) seems like a new way of teaching the old way. Not fit for today’s learners, or indeed teachers.”